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Style: BreakBeat, Uk Techno, Uk House, UK Hardcore
Out: 23/4/2021
Quality: MP3 320 kbps
Label: Yom Tum
Cat# YT002
Review: Under the Ejeca alias, Gerry McCartney has regularly delivered retro-futurist singles that draw inspiration from vintage UK house and techno. This album, his full-length debut, takes this approach even further, delivering a non-stop, sweat-soaked journey through brand new rave and UK hardcore-inspired productions recorded in Southend-on-Sea last December. There's much to enjoy throughout, from the almost overwhelmingly loved-up opener, 'Rainfall', and the skittish, US garage-influenced breakbeat hardcore haziness of 'Need You', to the piano-powered happy hardcore hedonism of 'My Love', mind-melting 'Variant' and rushing 'Tell Me'. Also superb is closing cut 'Sunrise', a fittingly titled conclusion tailor made for sound-tracking sun-up moments at remote mountain raves.
Out: 23/4/2021
Quality: MP3 320 kbps
Label: Yom Tum
Cat# YT002
Review: Under the Ejeca alias, Gerry McCartney has regularly delivered retro-futurist singles that draw inspiration from vintage UK house and techno. This album, his full-length debut, takes this approach even further, delivering a non-stop, sweat-soaked journey through brand new rave and UK hardcore-inspired productions recorded in Southend-on-Sea last December. There's much to enjoy throughout, from the almost overwhelmingly loved-up opener, 'Rainfall', and the skittish, US garage-influenced breakbeat hardcore haziness of 'Need You', to the piano-powered happy hardcore hedonism of 'My Love', mind-melting 'Variant' and rushing 'Tell Me'. Also superb is closing cut 'Sunrise', a fittingly titled conclusion tailor made for sound-tracking sun-up moments at remote mountain raves.
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Style: Electronic, Dubstep, Deep Dubstep
Out: 10/09/2012 [7/04/2021]
Quality: MP3 320 kbps
Label: Brownswood UK
Cat# BWOOD090DD
Review: Mala's album project comes to light with a healthy amount of expectation. The DMZ / Deep Medi Musik main man has always carried a reverence amongst the dubstep scene for his unfussy approach, staying true to the sound he helped forge in the nascent days of the genre while avoiding over-exposure or buckling to hype and trend where so many of his peers succumbed to change. As such this project sees the man well outside of his comfort zone as he tackles a specific album project whilst sticking his head more clearly overground to work with Gilles Peterson on an adventure in Cuba working with local musicians. This is most definitely Mala's music, and the spiritual, tribal nature of his productions to date only gets enhanced by the influx of Cuban folk sounds. This is no simple case of ripping samples and dropping them for token effect though; the percussive patterns and licks of piano, guitar, horns and voice are completely interwoven into the South London pressure as if they were always meant to be. It's testament to the pure approach Mala takes in the studio that he manages to balance these unlikely bedfellows to such fluid effect. Undoubtedly there will be naysayers who will argue that in doing an album of this nature Mala is diluting his purist vision for dubstep, but in truth the approach and end results he has managed to conjure up bring a revitalising, fresh angle to the genre, which is what it needs in abundance. There's maybe a lack of the "shock of the new" factor as Cubano music is not exactly a stranger to UK dance music forms, and Mala isn't exactly switching his own stance too drastically, but ultimately that doesn't matter. The whole album is direct and immensely satisfying to listen to, capturing the alluring spirit of South American folk tradition and empowering it with the transcendental nature of dubstep in its finest form.
Out: 10/09/2012 [7/04/2021]
Quality: MP3 320 kbps
Label: Brownswood UK
Cat# BWOOD090DD
Review: Mala's album project comes to light with a healthy amount of expectation. The DMZ / Deep Medi Musik main man has always carried a reverence amongst the dubstep scene for his unfussy approach, staying true to the sound he helped forge in the nascent days of the genre while avoiding over-exposure or buckling to hype and trend where so many of his peers succumbed to change. As such this project sees the man well outside of his comfort zone as he tackles a specific album project whilst sticking his head more clearly overground to work with Gilles Peterson on an adventure in Cuba working with local musicians. This is most definitely Mala's music, and the spiritual, tribal nature of his productions to date only gets enhanced by the influx of Cuban folk sounds. This is no simple case of ripping samples and dropping them for token effect though; the percussive patterns and licks of piano, guitar, horns and voice are completely interwoven into the South London pressure as if they were always meant to be. It's testament to the pure approach Mala takes in the studio that he manages to balance these unlikely bedfellows to such fluid effect. Undoubtedly there will be naysayers who will argue that in doing an album of this nature Mala is diluting his purist vision for dubstep, but in truth the approach and end results he has managed to conjure up bring a revitalising, fresh angle to the genre, which is what it needs in abundance. There's maybe a lack of the "shock of the new" factor as Cubano music is not exactly a stranger to UK dance music forms, and Mala isn't exactly switching his own stance too drastically, but ultimately that doesn't matter. The whole album is direct and immensely satisfying to listen to, capturing the alluring spirit of South American folk tradition and empowering it with the transcendental nature of dubstep in its finest form.
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Style: Break-Beat, Drum and Bass, Jungle, Electro, Techno House, Disco
Release: 19/03/2021
Quality: MP3 320 kbps | FLAC Lossless
Label: !K7 Records
Cat# K7394D
Paul Woolford’s Special Request takes the reins of DJ-Kicks’ latest for a cosmic soulboy trip harmonising myriad stripes of astral jazz, disco, deep house, electro and classic ‘90s jungle
Over the course of 25 tracks in 75 minutes, Woolford illustrates the influences and styles of his Special Request project at its most widescreen and emotive, encompassing the far out coordinates of Sun Ra, the classic AI of Speedy J, and the ravishing jungle of Steve Gurley’s Four Horsemen, alongside a ruck of secret names such as LS1 Housing Project and Intergalactic Quartet that a quid’s bet would stake to Woolford himself.
It’s as much a showcase for SR’s influences as Woolford’s DJ tekkers, coolly scaling from unquantised jazz to grid-twysting breakbeat hardcore with an immaculate, harmonious flow taking in his aforementioned turns as Intergalactic Quartet alongside deep-end digs by Morgan Geist and Virgo Four, thru to his sparkling house nuggets as LS1 Housing Project and compatibles from AceMo and µ-Ziq, to a killer run of new/old jungle spanning Sonar’s Ghost aka Domu’s aggy take on ‘Drowning in Her’, a lush Tim reaper remix of SR’s ‘Pull Up’, and a scalp-tingling beatless collaboration with prodigal loiner 96 Back, named ’Petrichor.’
Release: 19/03/2021
Quality: MP3 320 kbps | FLAC Lossless
Label: !K7 Records
Cat# K7394D
Paul Woolford’s Special Request takes the reins of DJ-Kicks’ latest for a cosmic soulboy trip harmonising myriad stripes of astral jazz, disco, deep house, electro and classic ‘90s jungle
Over the course of 25 tracks in 75 minutes, Woolford illustrates the influences and styles of his Special Request project at its most widescreen and emotive, encompassing the far out coordinates of Sun Ra, the classic AI of Speedy J, and the ravishing jungle of Steve Gurley’s Four Horsemen, alongside a ruck of secret names such as LS1 Housing Project and Intergalactic Quartet that a quid’s bet would stake to Woolford himself.
It’s as much a showcase for SR’s influences as Woolford’s DJ tekkers, coolly scaling from unquantised jazz to grid-twysting breakbeat hardcore with an immaculate, harmonious flow taking in his aforementioned turns as Intergalactic Quartet alongside deep-end digs by Morgan Geist and Virgo Four, thru to his sparkling house nuggets as LS1 Housing Project and compatibles from AceMo and µ-Ziq, to a killer run of new/old jungle spanning Sonar’s Ghost aka Domu’s aggy take on ‘Drowning in Her’, a lush Tim reaper remix of SR’s ‘Pull Up’, and a scalp-tingling beatless collaboration with prodigal loiner 96 Back, named ’Petrichor.’
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Style: Acid House, Atmospheric Breakbeat, Techno
Out: 9/4/2021
Quality: MP3 320 kbps
Label: Shall Not Fade
Cat# SNF054
Two years after unleashing his superb debut album on E-Beamz, Goncalo Salgado AKA Lake Haze pops up on Shall Not Fade with a similarly impressive sequel. Often immersive, dreamy and melodic, the set sees the Portuguese producer and sometime Cr?me Organization artist expertly combining elements of deep house, breakbeat, broken beat, electro and acid on a series of spacey, ear-catching cuts. This hybrid style is probably best epitomised by the bubbly slow acid number 'She Took Me To Her Favourite Club', the shuffling deep house melancholy of 'Always By Your Side' and the chunky-but-intergalactic sounding brilliance of 'Liquid Serotonin', but to be honest all eight tracks are excellent.
Out: 9/4/2021
Quality: MP3 320 kbps
Label: Shall Not Fade
Cat# SNF054
Two years after unleashing his superb debut album on E-Beamz, Goncalo Salgado AKA Lake Haze pops up on Shall Not Fade with a similarly impressive sequel. Often immersive, dreamy and melodic, the set sees the Portuguese producer and sometime Cr?me Organization artist expertly combining elements of deep house, breakbeat, broken beat, electro and acid on a series of spacey, ear-catching cuts. This hybrid style is probably best epitomised by the bubbly slow acid number 'She Took Me To Her Favourite Club', the shuffling deep house melancholy of 'Always By Your Side' and the chunky-but-intergalactic sounding brilliance of 'Liquid Serotonin', but to be honest all eight tracks are excellent.
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